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There’s a lot of brilliant writing in this book. Camille Roy has a remarkable style: crisp, vivid, energetic. Although the subtitle of Honey Mine is Collected Stories, this is a profoundly hybrid collection. Short stories, memoir, poetry, essays, all of these ways of writing weave in and out through individual pieces and the text as a whole so that genre categories never remain stable.
One of the key themes of this book is that underground and alternative communities, whether based in sexual identity or identities and politics of other kinds, can form genuine and meaningful alternative values. And if Roy wants readers to understand that those communities and values sometimes thrive by being opaque to the rest of the world, everything in Honey Mine communicates powerfully, even when it chooses what not to speak of.
